
6.01972
Cinéastes de notre temps : Norman McLaren
1972 Film


A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides’ Gaze.
Directed by Trisha Ziff
Stills from The Man Who Saw Too Much


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